I'm mostly writing this post as a note to myself, but I thought any cellists out there might be interested in this essay by the cellist Anssi Karttunen (no, I never heard of him before I found this, but he seems like an intelligent person!) on traditions versus what is actually in the score. The gist of it is that Schumann marked tempi that are very different from what most cellists use when they perform the piece, and it also mentions the difference between Schumann's chamber-sized orchestra and the usual full symphony orchestra.
I have seen similar discussions elsewhere, so it's not just this person's observations.
As I begin to delve into this piece, it seems less difficult than I remember it. This worries me! I must be kidding myself! But we will see ...
Thoughts about the unusual history of Schumann's Cello Concerto
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