Monday, September 15, 2014

Bad, bad blogger: Updates

I apologize for the radio silence these past two months.

I've been doing a number of musical things, but every time I have started to write about them it all seemed too complicated to explain and not terribly interesting to anyone but me.

So herewith some brief updates:

The first week in August, I attended the Bennington Chamber Music Conference (linky here) as an auditor for five days -- basically, I read through a lot of chamber music with random pickup groups, but I wasn't assigned to a set group and didn't get coaching (except for one session when I filled in for a bassoonist in the Schubert octet). I am seriously considering going back for a full week next year. When I first heard about it, it didn't sound appealing (haven't I had enough chamber music coaching in my life already?), but there was something very pleasant about the experience as a whole.

I had a whole month of no piano lessons because my teacher went on vacation (one reason I decided to go to Bennington) -- the longest since I started with him in January 2012! But I kept practicing as usual (maybe a little less diligently on the scales :)). I've been working on Bach (B flat partita), Chopin (Op. 25 No. 1), Brahms (Op. 79, Nos. 1 and 2, and Op. 119, No. 1). Everything still seems like a struggle, but I have noticed that when I do play easier music, I play it much better than I used to. I'm much more aware of the sound that's coming out of the piano. At my first lesson after the break, my teacher suggested we start a new piece, and he chose the Mozart Fantasia and Sonata in C minor. Holy whatever! It's 30 or so pages of finger twisters thinly disguised as sedate classicism. But I'm game.

On the cello, I've been reading string quartets with one of my teachers from college and his wife (a violinist and violist). We've been getting together about once a week for some months now for approximately 2-hour sessions of Mozart, Haydn, Beethoven, and so on. He retired some years ago, but he's played and taught just about everything, so what he lacks in finesse at this point he more than makes up for with intimate knowledge of what these pieces are all about.

I'm in a trio (flute/piano/cello) that is playing a couple of concerts this fall, and we've been rehearsing about twice a month since the spring. The other players are both excellent, which makes it a bit challenging.

I've also been attempting to give my cello practice some structure with two newish things. A while back, I heard an interview with Marta Casals Istomin in which she talked about Casals's late-life daily routine. She said that every day, he worked on a different Bach suite: Monday was G major, Tuesday D minor, and so on; the D major Sixth Suite he would do on both Saturday and Sunday because it's the most difficult. So I decided to try this myself. I had forgotten how hard those last two suites are! I have to confess that I haven't been able to do this every day, and I don't have a set routine, like, if it's Wednesday it must be Suite No. 3, but it's been a good refresher course.

The other is that I decided to work my way through the Popper High School of Cello Playing -- 40 etudes that are the closest thing cellists have to Paganini. I learned a few of them when I was in college, but I never treated them as music, and they really are. Inspired by this guy, I'm also attempting to memorize them. I realize that as a somewhat old lady I will never have the sex appeal of a Gen Y-er videoing himself playing Popper while sitting on the edge of his bed, so I don't know if I'll ever record these at all, but I do like working on them.

Then there's orchestra, which is gearing up for the season's first concert this month.

I'm still teaching a few students. I haven't tried to find more yet. I do enjoy teaching, but not the competition with other teachers, plus I'm not willing to take on just anyone. I don't think my forte is very young students, or hooking kids' interest by being an entertainer.

There are a few other odds and ends, but that should do it for now. I hope to be more inspired to write in the months ahead.


Bill said...

Glad you are still out there and making music.


Anonymous said...

Thanks for the update!