Thursday, October 16, 2014

Concert nerves

About a year ago (shortly after I became more at liberty after I left my full-time job), I was asked to play in a trio -- flute, cello, and piano. The flutist is principal in my orchestra and is an excellent player, as is the pianist, so I agreed. Earlier this year we began rehearsing a short program with the plan to play it once in October and once in November.

The October performance is upon us, and I do not feel 100% ready. I wonder if anyone ever does, really? There's so much that's unpredictable. But aside from that, I'm now wishing I'd practiced the music more -- a lot more. We did a run-through of the concert this past weekend at my house in front of about a dozen friends and family, and though it was a nice social occasion and we generally played well together, I had too many wobbly moments (at least based on my listen to the recording), and gee, my sound wasn't all that good! I just got back from a string-buying expedition; fresh strings should help quite a bit with response and tone. I hope.

Ah, well. It's all a learning experience. I doubt anyone is going to listen to me more critically than I do. But there's that not-so-hidden desire to play not just adequately but superbly.

Here's a taste of the program: a trio by George Alexander Macfarren (1813–1887). I do think I improved somewhat as I warmed up (which I didn't have a chance to do in the couple of hours before we played). I felt sorry for the pianist having to play this on my Baldwin upright (the living room piano; I keep the grand in a more climate- and sound-controlled space in the house).

(Note that there is a bit of silence at the beginning. The piece is about 9-1/2 minutes long.)

1 comment:

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